Wednesday, April 24, 2024

Scarlet Dragonfly Journal, Issue 23, March 2024

 



Prune Juice, Issue 42, April 2024

Honoured to have two haiga selected for this issue:





Presence, Number 78, March 2024

pogonip
I shorten the length
of my stride


rural bus stop
a border collie waits
for his boy


emerging
from a tree-lined tunnel
of fog
I choose not to look back
at my younger self

Our Best Haiga: Black & White Haiga/Haisha, April 2024

 Curated by Lavana Kray


April 10, 2024


(Note: this tanka received an Honourable Mention in the 2023 Fleeting Words Tanka Competition)



Our Best Haiga: Black & White Haiga/Haisha, March 2024

 Curated by Lavana Kray


March 15, 2024


(Note: this tanka received 2nd Place in the 2022 Fleeting Words Tanka Competition, and the tanka art first appeared in my film "Shadowlight" for the 2023 Haiku Foundation HaikuLife Film Festival)



Horror Senryu Journal, April 2024

seiche effect
the missing man bobs
back and forth


border patrol
a hank of hair caught
on barbed wire

Kokako, Number 40, April 2024

Thrilled to have had work selected for this final print issue!


prairie blizzard the hissing of kerosene


old friends
a trio of puffins
rubbing beaks


city parables . . .
street corner prophets
offering
their thunder to gods
and other strangers


this mountain,
a spiritual gateway . . .
I look
for myself beyond
the forest of clouds




The Heron's Nest, Volume 25, 2023

estate auction
someone's life goes
for a song


hard times
fishing nets tie
the village together


I was thrilled to discover that three readers had commented on "hard times":

Debbie's poem I particularly loved and it has stayed with me partly because I did help out on a small fishing boat many years ago. A small village that relies on fishing for food and income now has to pull together even more to get by. I think the verb 'tie' is perfect here. It has so many connotations.

—Lorraine Haig

When I read this poem, I first thought of the First Nations' and Native American villages being devastated by the failure of the salmon runs. As I sit with it, I realize it applies as well to the Maine villages that were sustained by ground fish, herring, and lobster and are now struggling, held together only by their nets and traps and heritage. The focus can be expanded to the rest of New England, New Brunswick—and truly coastal communities around the world. In eight words, Debbie Strange has captured the impact of our abuse of the oceans as well as inland waters.

—Nancy Orr

Community. Fishing gets them through hard times. The fishing nets are the glue holding the community together.

—Lyle Smith

 

Red Lights, Vol. 20, Number 1, January 2024

the sacred fire
and solemn truth
of sunrise . . .
we might not see it,
but we know it's there


Melancholia's Garden


on this dark day
we are heartened
by buttercups
turning their faces
toward the sun

a few sprigs
of marjoram to soothe
this anxiety
breathing in, breathing out,
I come back to myself

we did not make
plans for this future
now, it seems
that weeds might be
the only sure thing


Note: this issue also includes my thoughts on the effect tanka has on my life...

Tanka has enriched my inner and outer worlds beyond measure. It can be isolating to be a writer with disabilities, but this global community is generous, nurturing, enthusiastic, and helpful. Writing tanka allows me to delve deeply into the ways in which nature influences my life and to connect with others through this sharing of experiences and emotions.

Haiga in Focus, Issue 70, April 2024

 Curated by Claudia Brefeld


Translated into German




Fresh Out: An Arts and Poetry Collective, April 2024

 Curated by Eric A. Lohman


Featured Artist: April 3, 2024


(note: this monoku first appeared in Mariposa 48, Spring/Summer 2023)



Five Fleas Itchy Poetry, April 2024

copyright d®ead


the seven wonders sightseers looking only at themselves


cottontails the garden at a loss for herbs


deckled edges
sailors know how to read
the shoreline




Fireflies' Light: A Magazine of Short Poems, Issue 29, April 2024


Note: this haiku first appeared in Creatrix 63, December 2023


Note: this haiku first appeared in Under the Basho Haiga Gallery, 2021


Note: this haiku first appeared in Haiku Canada Review 15.1, February 2021

 
Note: this haiku first appeared in Creatrix 62, September 2023

Folk Ku: A Journal in Honour of Master Masoka Shiki (1867-1902), King River Press - Award Nomination 2023

Thrilled to have the following poem nominated by the editor and longlisted by The Haiku Foundation for the 2023 Touchstone Award:


snow grains
the field dad had no time
to plant

Folk Ku, Issue 1, May 2023


#FemkuMag, Issue 35, Spring 2024

Honoured to have the following haiga selected by guest editor Vandana Parashar for this International Women's Month issue:


The following works were also selected:


ill winds of autumn i'm still spitting up leaves


vesper flight
we were taught to keep
our feet on the ground


 

Enchanted Garden Haiku Journal, Issue 7: Moments in the Garden, Anniversary Edition, April 2024

Translated into Romanian

rain chains
singing in our garden
calla lilies
open their pink mouths
to cup the hymn of spring

Eucalypt, Issue 24, May 2018



(note: tanka first published in Mariposa, Number 38, Spring/Summer 2018, and haiga first published in Daily Haiga, April 20, 2019)


Daily Haiku: Charlotte Digregorio's Writer's Blog, March 2024

Daily Haiku Special: March 25, 2024


marsh marigolds
dark waters patched
with light

Highly Commended
New Zealand International Poetry Competition, 2023


drifting sands
sometimes the poem
writes itself

Winner
Drifting Sands Wearable Art and Haiku Contest, 2023


there was
so much I wanted
to teach you . . .
a blue jay's feathers
are not really blue

1st Place
San Francisco International Competition for Haiku, Senryu and Tanka, 2023
 

Contemporary Haibun Online, Issue 20.1, April 2024

Haiga Gallery: selected by Ron Moss





Cold Moon Journal, April 2024

April 7, 2024